Alumni

Jon Bellona

CCT (Composition & Computer Technologies)

Amy Coddington

CCS (Critical & Comparative Studies)

Kevin Davis

CCT (Composition & Computer Technologies)

Stephanie Doktor

CCS (Critical & Comparative Studies)

Jarek Paul Ervin

CCS (Critical & Comparative Studies)

Liza Flood

CCS (Critical & Comparative Studies)

Steven Lewis

CCS (Critical & Comparative Studies)

Rachel Rome

CCT (Composition & Computer Technologies)

Max Tfirn

CCT (Composition & Computer Technologies)

Kristina Warren

CCT (Composition & Computer Technologies)

Faculty, Emeritus

Donald Loach

Professor Emeritus

Marita McClymonds

Professor Emeritus

Walter Ross

Professor Emeritus

Kate Tamarkin

Professor Emeritus and Music Director Laureate of the Charlottesville Symphony

Donald Loach

Professor Emeritus

Marita McClymonds

Professor Emeritus

Walter Ross

Professor Emeritus

Kate Tamarkin

Professor Emeritus and Music Director Laureate of the Charlottesville Symphony

Faculty

Katy Ambrose

Assistant Professor

Ayn Balija

Associate Professor

Pamela Beasley

Instuctor, Voice

Matthew Burtner

Professor, Eleanor Shea Professor of Music (Composition & Computer Technologies)

A.D. Carson

Assistant Professor of Hip Hop and the Global South

Adam Carter

Associate Professor

Jiyeon Choi

Lecturer, Clarinet

Ted Coffey

Professor (Composition & Computer Technologies)

John D'earth

Senior Lecturer, Director of Jazz Performance

Luke Dahl

Assistant Professor (Composition & Computer Technologies), Assistant Professor of Electrical and Computer Engineering by courtesy appointment

Nomi Dave

Associate Professor (Critical & Comparative Studies), Director of Graduate Studies

Jeff Decker

Saxophone, Jazz Studies

Scott DeVeaux

Professor (Critical & Comparative Studies),

I-Jen Fang

Associate Professor

Bonnie Gordon

Associate Professor (Critical & Comparative Studies)

Kelly Gross

Instructor, Piano

Karl Hagstrom Miller

Chair and Associate Professor (Critical & Comparative Studies)

Greg Howard

Instructor, Chapman Stick

Anastasia Jellison

Instructor, Harp

Robert Jospé

Lecturer, Groove Percussion

Michelle Kisliuk

Associate Professor (Critical & Comparative Studies)

Andrew Koch

Assistant Professor, Interim Director of Bands

Nathaniel Lee

Lecturer, Trombone

Noel Lobley

Assistant Professor (Critical & Comparative Studies)

Fred Maus

Director of Undergraduate Programs for Music, Associate Professor (Critical & Comparative Studies)

John Mayhood

Lecturer, Piano

Barbara Moore

Instructor, Piano & Organ

Justin Mueller

Assistant Professor

Stephanie Nakasian (aka Patricia O'Brien)

Instructor, Non-Classical Voice

Chris Owens

Instructor, Voice

Brenda Patterson

Instructor, Voice

Kelly Peral

Lecturer, Oboe

Michael Puri

Associate Professor (Critical & Comparative Studies)

Leah Reid

Assistant Professor of Composition

Elizabeth Roberts

Senior Lecturer, Bassoon

Michael Rosensky

Instructor, Guitar (Jazz & Classical)

Benjamin Rous

Associate Professor of Music (Conducting) and Music Director of the Charlottesville Symphony at the University of Virginia

Joel Rubin

Associate Professor, Director of Music Performance

David Sariti

Associate Professor

Daniel Sender

Associate Professor

Judith Shatin

Professor Emeritus -William R. Kenan Jr. Professor (Composition & Computer Technologies)

Michael Slon

Associate Professor, Director of Choral Music

Peter Spaar

Senior Lecturer, Double Bass

Kelly Sulick

Senior Lecturer, Flute

Butch Taylor

Instructor, Jazz Piano

Richard Will

Associate Professor (Critical & Comparative Studies)

Arthur Zanin

Lecturer, Trumpet

Graduate Students

Timothy Booth

CCS (Critical & Comparative Studies)

Becky Brown

CCT (Composition & Computer Technologies)

Kyle Chattleton

CCS (Critical & Comparative Studies)

Alex Christie

CCT (Composition & Computer Technologies)

Victoria Clark

CCS (Critical & Comparative Studies)

Aldona Dye

CCS (Critical & Comparative Studies)

Daniel Fishkin

CCT (Composition & Computer Technologies)

Omar Fraire

CCT (Composition & Computer Technologies)

Samuel Golter

CCS (Critical & Comparative Studies)

Tanner Greene

CCS (Critical & Comparative Studies)

Christopher Luna-Mega

CCT (Composition & Computer Technologies)

Heather Mease

CCT (Composition & Computer Technologies)

Emily Mellen

CCS (Critical & Comparative Studies)

Savanna Morrison

CCS (Critical & Comparative Studies)

Natalia Perez

CCS (Critical & Comparative Studies)

Kerri Rafferty

CCS (Critical & Comparative Studies)

Ben Robertson

CCT (Composition & Computer Technologies)

Aaron Stepp

CCT (Composition & Computer Technologies)

Tracey Stewart

CCS (Critical & Comparative Studies)

Rami Stucky

CCS (Critical & Comparative Studies)

Juan Carlos Vasquez

CCT (Composition & Computer Technologies)

Lydia Warren

CCS (Critical & Comparative Studies)

Hannah Young

CCS (Critical & Comparative Studies)

Staff

Marcy Day

Director of Promotions

Michael Idzior

Assistant Athletics Band Director

Joel Jacobus

Director of Music Production

Tina Knight

Assistant to the Chair, Academic Programs Coordinator

Travis Thatcher

Technical Director of Composition & Computer Technologies

Kim Turner

Departmental Finance and Administration Manager

Leslie Walker

Administrative Assistant

Profile

Faculty

Bonnie Gordon

Bonnie Gordon

Associate Professor (Critical & Comparative Studies)

Old Cabell 203

Biography

Bonnie Gordon's primary research interests center on the experiences of sound in Early Modern music making and the affective potential of the human voice.  She is a faculty director of the newly launched Equity Center. She plays viola in a  free improvisation trio Angela on the Arts that released an album called Within.  Dr. Gordon is currently working on two book projects. Voice Machines: The Castrato, The Cat Piano and Other Strange Sounds uses the castrato as a point of departure for asking several questions about the interrelated histories of music, technology, sound, and the limits of the human body. It positions castrati as sonic figures who tell a story about music, sound and technology before electricity. Jefferson’s Ear closely explores the historical record, especially what is and is not in his music collection. The book focuses on sound, music, and race in two locations; Monticello and New Orleans. The silences in the written record resound with the racial fear and exclusion that were as much a part of the American Revolution as inalienable rights, and that musical aesthetics mattered deeply in the emergence of race as a political and social category.Her first book, Monteverdi's Unruly Women (Cambridge University Press, 2004) frames the composer's madrigals and music dramas written between 1600 and 1640 as windows into contemporary notions of sound, body, voice, and sense. She has explored similar issues in articles about contemporary singer-songwriters Kate Bush and Tori Amos. She co-edited an interdisciplinary and cross cultural volume of essays about courtesans entitled The Courtesans Arts, (Oxford University Press, 2006).  She has also published on the Soundscapes of early America. Dr. Gordon is the recipient of two grants from the Folger Shakespeare Library, a dissertation grant from the American Association of University Women, a Mellon Postdoctoral Fellowship at Brandeis University, a Bunting Fellowship at the Radcliffe Institute for Advanced Study, and a National Endowment for the Humanities Fellowship. She has also been the Robert Lehman Visiting Professor at Villa I Tatti, The Harvard University Center for Italian Renaissance Studies. Dr. Gordon plays viola in a rock band called Side Hustle.  She has published in the Washington Post, Slate, and various blogs.

 


 


Address

UVA Department of Music
112 Old Cabell Hall
P.O. Box 400176 Charlottesville, VA 22904-4176

Email: music@virginia.edu